Balanced-Earth wall-mounted plant mobile

Balanced-Earth are unique. The mobiles of Alexander Calder have been an inspiration which is the reason these are called, “plant-mobiles”.  To enable multiple pots to be suspended with that delightful movement caused by imbalance, the vessels had to be light-weight.  The planted vessels can be rearranged within the Balanced-Earth plant mobile.  The vessels can be lifted out of their frames, while the handles of the frames can be unhooked from the branch. This means that if a plant grows and the balance changes, the arrangement can be reconfigured. If some plants are further from a window, then their position can be moved by swapping with another plant.

Vessels and Frames

The vessels are made from paperpulp and other ingredients (read more). The recipe used produces rigid vessels which are “micro-porous”, water will evaporate through the wall of the vessel if not absorbed by the plant (like unglazed terracotta plant pots). My oldest paper-pulp vessels are two years old, still solid and suspended holding plants. They are not designed to degrade like mass produced paper pulp pots.

The vessels sit within frames.  These are circular and are either bands or discs. They are made from waste materials.  Each material has it’s story which is explained in Green Earth Balance (click on above link).


Balanced-Earth succulents

All the plants in the images of the Balanced-Earth mobiles are succulents, mostly trailing or compact rather that ones which grow tall (these are most likely to over-balance). The vessels are empty for you to fill with your own plants, although a soil mix is supplied.

The Balanced-Earth mobiles are suspended, wall-mounted and freestanding.  Each has been named from birds on the conservation concern red list.

Succulents in pulp vessels in Balanced-Earth plant-mobile
Wall-mounted forms: Whimbrel, Redwing, Hawfinch & Linnet

The wall-mounted style uses an oak bracket with keyhole fixtures so it will sit flush against the wall with no gapping. A hooked stainless steel rod sits within the oak bracket from which the plant mobile can be suspended.  Whimbrel – single vessel, Redwing – two vessels, Linnet – three vessels, Hawfinch – four vessels.

Trailing succulents in vessels, a Balanced-Earth eco-design
Suspended forms: Starling, Lapwing, Nightingale & Skylark

The overhead suspended plant mobile can be hung directly from a ceiling or a curtain pole.  Merlin – single vessel, Nightingale – two vessels, Skylark – three vessels, Fieldfare – four vessels, Lapwing – five vessels, Starling – multiple vessels exceeding five.

Succulents, paperpulp vessels, sea sculpted brick from coastal erosion
Free-standing form: Curlew

The Balanced-Earth single vessel is not strictly speaking a “ mobile”. However the vessel is poised above the base with a stainless steel rod so it will still sway gently with a small push! The base is a sea-sculpted brick.

KW at London climate change protest

For over three years Balanced-Earth has emerged from a “compost” of interests, materials and making skills.  I am now in my 50s and have worked as a creative person throughout my working life.  First as a designer-maker of nylon jewellery through the 90s, exhibiting and selling internationally through galleries and museum stores.  Then, when I became aware of climate change, this motivated the shift to working as an environmental sculptor using waste plastics (artwork can be found on and providing workshops in education and community settings as “Footprint Arts”.
Needing to re-think  my work-life due to health reasons I work from home.  Making and thinking creatively is vital for my own well-being.  The lifestyle  and exercise/rest issue is connected to balance.  Over the years, I have regularly returned to explore my fascination with balance and made my versions of Calderesque mobiles as a physical manifestation of this.  I’ve always lived with houseplants, they are so life enhancing.  Balanced-Earth has developed from this situation.

B-E Philosophy and Approach

I try to take a “do no harm” approach in my lifestyle, so I’m endeavouring to have B-E follow this philosophy.  Moving out of my studio at Muspole Workshops in Norwich after 20 years I realised the quantity of materials I had accumulated. These are a mix of “waste” off-cuts from various processes, over-ordering while experimenting and suppliers having minimum order quantities. Also I’m offered scrap materials and unwanted items which I think have “potential”.  Wanting to utilise the materials, which are my responsibility, gave me the challenge to find techniques to use these.